TWICE Rogers Arena Night 2: Vancouver 2026 Live Setlist Recap

ByMary Siroky
TWICE Roger Arena recap - 2nd night

TWICE Vancouver

  • Concert date: January 10, 2026 at Rogers Arena, Vancouver.
  • Show format: Night 2 featured a 30+ song setlist across four acts.
  • Tour context: Closing night of TWICE’s Vancouver stop on the This Is For World Tour.
  • Why it stands out: A confident finale that completed TWICE’s two-night North American opener.

On January 10, 2026, TWICE closed their Vancouver stand at Rogers Arena with a composed, confident Night 2 performance that completed the city’s two-night chapter on the THIS IS FOR World Tour.

TWICE Vancouver day 2 infographics

Having attended the show in person, the difference from Night 1 was immediate. The structure was identical, but the feel had shifted—less exploratory, more assured. The group moved through a ~2.5-hour, 30+ song set without any opening acts, pacing the night with precision rather than urgency.

If Night 1 introduced the blueprint, Night 2 confirmed it worked—right down to the final encore moment.

TWICE Setlist — Rogers Arena, Vancouver

Start time: 8:30 PM
Tour average: ~2h 8m
Tour: THIS IS FOR World Tour

FOUR (Intro VCR)

Act I

  1. THIS IS FOR
  2. Strategy
  3. MAKE ME GO
  4. SET ME FREE
  5. I CAN’T STOP ME
  6. Ment
  7. OPTIONS
  8. MOONLIGHT SUNRISE

Act II

  1. MARS
  2. I GOT YOU
  3. The Feels
  4. Ment
  5. Gone
  6. CRY FOR ME
  7. HELL IN HEAVEN
  8. RIGHT HAND GIRL
  9. Interlude (Band Performance)

Act III

  1. DIVE IN (Tzuyu solo; shortened)
  2. STONE COLD (Mina solo; shortened)
  3. MEEEEEE (Nayeon solo; shortened)
  4. FIX A DRINK (Jeongyeon solo; shortened)
  5. CHESS (Dahyun solo; shortened)
  6. SHOOT (Firecracker) (Chaeyoung solo; shortened)
  7. ATM (Jihyo solo; shortened)
  8. DECAFFEINATED (Sana solo; shortened)
  9. MOVE LIKE THAT (Momo solo; shortened)
  10. TAKEDOWN (Jeongyeon, Jihyo & Chaeyoung)
  11. VCR

Act IV

  1. FANCY
  2. What Is Love?
  3. YES or YES
  4. Dance the Night Away
  5. Ment
  6. ONE SPARK

Encore

  1. SCIENTIST
  2. Ment & VCR (Welcome to Vancouver, made by ONCE)
  3. LIKEY

Night 2 at Rogers Arena — Closing the Vancouver Chapter

The Night 2 crowd arrived informed and fully engaged. There was still anticipation, but it carried the calm of familiarity rather than uncertainty, with fans responding faster to cues and holding onto transitions longer.

That sense of finality matters. Same venue, same city—but knowing this was the last Rogers Arena curtain call changed the emotional temperature. Reactions felt celebratory rather than reactive, as if the audience wanted to sustain moments instead of rushing toward the next one.

Night 2 mattered because it wasn’t about proving scale. It was about inhabiting it.

Act I — The Beginning Sets the Pace

The show opened with “FOUR” (Intro VCR), a cinematic lead-in that worked especially well on the 360-degree stage, immediately pulling focus away from any single “front” and toward the entire bowl.

From there, Act I unfolded with control: “THIS IS FOR” and “Strategy” established tone, followed by “MAKE ME GO” and “SET ME FREE,” which locked the crowd into the show’s rhythm early.

By “I CAN’T STOP ME,” the arena was fully synchronized. A brief ment segment reset the pacing before “OPTIONS” and “MOONLIGHT SUNRISE” closed the act, confirming that the tour favors flow and balance over front-loaded spectacle.

Act II — Core Hits and Crowd Momentum

Act II leaned into contrast. “MARS” and “I GOT YOU” carried emotional lift, their melodies spreading evenly across the circular stage layout.

“The Feels” brought the night’s most immediate communal surge, followed by a short ment that softened the room before “Gone” pulled the atmosphere inward.

The act’s backbone—“CRY FOR ME,” “HELL IN HEAVEN,” and “RIGHT HAND GIRL”—landed with clarity rather than heaviness. A brief band interlude closed Act II, signaling a transition without breaking momentum.

Act III — Solo & Unit Stages Take Center Stage

Act III remains the tour’s most revealing section. Rather than functioning as side content, the solo stages reframed the pacing and spotlighted individual identity within TWICE’s nine-member structure.

Each performance was concise and deliberate: Tzuyu (“DIVE IN”), Mina (“STONE COLD”), Nayeon (“MEEEEEE”), Jeongyeon (“FIX A DRINK”), Dahyun (“CHESS”), Chaeyoung (“SHOOT (Firecracker)”), Jihyo (“ATM”), Sana (“DECAFFEINATED”), and Momo (“MOVE LIKE THAT”) all appeared in shortened versions that kept the act moving.

The unit stage “TAKEDOWN” (Jeongyeon, Jihyo, Chaeyoung) tightened the energy again, followed by a VCR that cleanly bridged the show into its final act.

Act IV — Rock Versions and the Final Push

Act IV reframed familiar material without leaning on nostalgia. Backed by a live band, rock arrangements of “FANCY,” “What Is Love?,” “YES or YES,” and “Dance the Night Away” hit harder without overwhelming their original character.

A brief ment acknowledged the crowd before “ONE SPARK” closed the main set, keeping the night forward-looking rather than retrospective.

Encore — Fan Selection and Vancouver Significance

The encore was concise and intentional. “SCIENTIST” opened the final stretch with steady familiarity before the arena shifted for “LIKEY.”

In Vancouver, that song carries specific weight due to its music-video history, and the response reflected that shared context—less explosive, more communal.

A final ment & fan-made VCR (“Welcome to Vancouver”) preceded the closer, allowing the night to end on recognition rather than spectacle.

Production, Sound & Arena Experience (Night 2)

The 360-degree immersive stage again proved to be the defining production choice. Sightlines remained strong across sections, and Night 2 benefited from smoother transitions as the show fully settled into Rogers Arena’s acoustics.

Movement between stage zones felt tighter, and the balance between visuals and performance remained controlled—large-scale without losing intimacy.

How Night 2 Complements Night 1

Night 1 introduced structure; Night 2 confirmed confidence. The framework stayed consistent—four acts plus encore—but the execution felt more relaxed and assured.

Act III carried more emotional weight on Night 2, while Act IV felt like a collective release rather than a reset. Together, the two shows form a complete Vancouver narrative rather than competing highlights.

Conclusion

For TWICE in Canada, January 10, 2026 wasn’t just a second night—it was the closing chapter that gave the Vancouver run its shape and meaning.

As a North American tour opening, Vancouver didn’t simply host TWICE. It framed the tour’s tone, and Night 2—measured, confident, and city-aware—cemented Rogers Arena as a genuine milestone rather than a routine stop.